Inspired by Henri Matisse's fluid shapes in his painting, this still life is about a random, imaginary world.
Digital, 2016.
"I don't sleep, i don't eat, i do nothing but think of you.. you keep me under your spell" - desire
Illustrations inspired by the song under your spell by desire. The song is about being obsessed with someone and not being able to do anything else other than think about that person. The maze is used to show the idea of being trapped without a way out.
Digital, Risograph, 2016.
These still-life series are inspired by fruits and children's imagination. The series include 5 pieces: Banana, Apple, Watermelon, Waterlemon, and Grapes. Stilly Life is then created as a 6 coloured risograph prints.
Digital, 2016.
A poster design for a feminine perfume Bandit by Robert Piguet.
"Bandit is the most daring in the whole line of perfumes like Caron Tabac Blond and Chanel Cuir de Russie, perfumes for an emancipated woman on the turn of the last century; for a woman who dares to smoke in the public. Bandit was made for the avantgarde Robert Piguet's collection, inspired by romantic sea voyages and pirates. Bandit is a classic "chypre" with dark animal notes and aggressive leather accord. In 1999, after 25 years, production of Bandit started again. Eau de toilette has the greatest sharpness. In the perfume version, leather and smoke notes are followed by clear notes of white flowers and vetiver. Bandit was launched in 1944. The nose behind this fragrance is Germaine Cellier." (Fragrantica)
Digital, 2016.
This piece is based on the chapter 'Trust' from Dylan Landis' novel 'Rainey Royal'. Rainey Royal is a fourteen-year-old girl who is going through a self discovery as a young artist. The first piece portrays how quiet and uninteresting an apartment building can look from the outside in New York City. Contrasting from the first piece, the second piece depicts the aftermath of Rainey's room after she and her friend heisted a couple. The objects are all scattered and messy in a pattern-like manner to represent Rainey's rebelliousness. The colour palette is very minimal. Pink and blue is chosen to represent Rainey's youthfulness. The different shades of pink and blue adds sensuality to the illustration in order to convey Rainey's complex personality.
Digital, 2015.
Wesley is a decorated sans serif inspired by my admiration and adoration for Wes Anderson’s movies. The characters from Wes Anderson’s movies –From Rushmore to Grand Budapest-- are used to create the letters. The letters are based on Futura Bold by Paul Renner and the illustrations are created using Adobe Illustrator. The unique feature of Wesley is that it is rounded on the top and straight on the bottom, making it a semi-straight and rounded sans serif. Wesley has a low contrast mode and a vertical stress. Wesley’s colorful letters embody the diversity of Wes Anderson movie characters. Wesley is a typeface perfect for Wes Anderson’s movie enthusiasts who values genuine depiction of the characters.
Digital, 2015.
This is a DVD cover for Wes Anderson's Fantastic Mr. Fox. It is filled with objects that appeared in the movie. Each objects are hand painted with gouache.
Gouache on Acetate, Digital, 2015.
The Mouse, the Bird, and the Sausage is tale no.23 of the Grimm’s Fairy Tales. Although not as well known as their other tales, —such as Snow White and Cinderella—The Mouse, the Bird, and the Sausage is an exciting tale filled with both humor and tragedy. The three main characters lived harmoniously together, each having their own role to fulfill. This, however, does not last long after one of them becomes resentful of the others' duties, leading to a catastrophe. Inspired by artists like Mayumi Otero and Raphael Urwiller of Icinori, and Becky and Joe –creators of Don’t hug Me I’m Scared–, the story is set in a non-existent lonesome world filled with vibrant and vivacious complementary colours.
Digital, 2016.
Illustration for a 5 colour accordion book. Digital, 2016.
What have i done. I am a horrible human being.
Illustration for a 3 colour accordion silkscreen books. Digital, 2016.